Absorbing our seasonal sadness, art/experimental pop duo We Will Kaleid released two last songs last year: Revoke/Aphelion.
“Revoke” is about self hypnosis floating on a wave of uncertainty, finally resolving into a stream of regret. The band details the track. It’s about the moment you realise that you did or said something that caused damage beyond repair. You are lost in indecision and uncertainty but somehow still comforted by monotony. A mellow, weightless, translucent, lulling state of mind.
“Aphelion” deals with what lies underneath it all, the one thing that we desire most. Loosing yourself in loosing one another. A void that even though filled with loss and grief, remains empty. Pure, calming, honest, weird.
We Will Kaleid create dense and oppressive arrangements with minimalist sound material. Upon rough textures of analog synthesizers, a dark and intoxicating atmosphere is forged with few but multi-faceted beat and voice fragments. We Will Kaleid are looking for a strong contrast. In dense electronic songs they prefer direct confrontation to comfortable harmony.
Just as on their latest EP “Tongue” We Will Kaleid take up dysfunctional aspects of communication and offers both spaces for self-confrontation as well as an escape from reality. The band’s output is a confusing, unpleasant trip into one’s own aggressive, ugly self. We Will Kaleid are a haunting and captivating appearance, with a clear stance: they do not offer an easy cure, the band remains consistently unforgiving.
Madeline Mondrala, well-known as That Brunette, is a Brooklyn based Experimental Pop songwriter and performer who began writing and performing music from the young as of eight years old. Mondrala would later attend the Conservatory of Music at Purchase College in New York with peers like Mitski, Verité, and Sean McVerry. She released her first EP Cloud in 2013 and Madelin in 2017. The musician was scouted as a writer and artist BMG Publishing and would work with producers like Dem Jointz (Brandy, Rihanna), Larzz Principato (Dua Lipa, Halsey) and Ryan Marrone (Nicki Minaj). Madeline released her single ‘Coolest Girl’ last month, and is soon to release her EP Millenium Fig on the 28th of August.
We find out more about this singer and songwriter below.
What are some of your earliest memories of music?
Listening to Motown in the car with my mom on my way to school, Playing Hole in my headphones under the blanket in my room when I was supposed to be asleep. Rummaging through my dad’s cd collection and discovering Paul Simon and Joni Mitchell. Magical…
Take us through your songwriting process. Are there any particular steps you take when putting music together?
I usually like to start with me and a piano. I typically come up with a baseline, melody and lyrics simultaneously. Once I’ve written the song I’ll think about the type of production I envision for it. From there I’ll present to the producer I think would be the best fit to help bring the song to life. If they’re into it, we’ll get to work producing the track together.
Studio work and music creation or performing and interacting with a live audience, which do you prefer?
That’s a toss-up, but I think I have to say that I like the process of creating music a little bit more. That’s what made me fall in love with music in the first place. I love the feeling of birthing a new piece of music. Every song is my favorite song I’ve ever written when I’m writing it.
What is the most memorable response you have had to your music?
I remember and cherish any time anyone has ever told me either in person or online that one of my songs meant something to them. There’s no better feeling than knowing you had a positive impact on someone through a melody you crafted or words you wrote.
If you could put together a radio show, what kind of music would you play?
It would be the perfect mix of bright shiny pop, hip hop, alternative pop, indie R&B, and musical theatre.
Name five artists and their albums who would appear on your radio show
Right now I would definitely be spinning Kah-lo’s latest single ‘Melanin’, some Caroline Polachek, Sudan Archives, Taylor Swift’s latest album Folklore, and Avenue Beat’s jam ‘Fuck 2020’.
What would you like to achieve with your music? What does success look like to you?
I would like to achieve a sense of fulfillment within myself in creating authentic songs that represent my life experience. I make music because it brings me joy. I always go back to that truth if I start to feel societal pressure to “be somebody”. Success means being me, and I’m already myself. When I look at things through that lens, I feel very successful indeed.
One last thought to leave your fans with?
Hang in there. Every day is a new opportunity. Rest when you need to. Eat nourishing delicious food. Take a bubble bath. And listen to my new EP Millennium Fig